Tag Archives: London

Finished Cross Stitch – Malarky Graffiti

10 Aug Malarky Cross Stitch

4 weeks of hard stitching and I have finished my latest cross stitch. You might have seen my posts showing off the work in progress but here is my finished embroidery, my first project from a completely new own made pattern.

Malarky Graffiti Cross Stitch

East London residents might recognise this cuddly multi-coloured bear, it’s a character created by Graffiti artist Malarky, as seen on the shop shutters in Shoreditch. I first discovered his street art in the brilliant Street Art Magazine VNA, and since I can’t walk down Brick Lane without encountering these cute colourful characters.

Malarky graffiti East London

Image by snakefightinglife on Flickr

I have been a fan of this London/Barcelona artist for a while, but inspiration struck when I saw his prints for sale at the Pick MeUp Graphic design fair. I was toying with the idea of buying a print for several months, but I then decided to make my own as a homage to his fun and playful work. Browsing through Flickr I was instantly drawn to the this bear, a) for the Bolt shades (it is the Olympics after all) b) for the colour c) for the gnarly gnashers. This hipster bear has attitude! To make the design I borrowed an image from Flickr, put it into Photoshop and modified to make sure the colours were all in blocks and there was no shading, put that image into Kit Pro App and then commenced stitching.

Malarky Cross Stitch

Malarky Back Stitch

And…. (and this is going to become a running them with my posts)… I couldn’t resist making another animated gif of my stitch in progress.  Note: The Gif doesn’t replay – yet – so just refresh the page to watch again!

Malarky Gear gif

Not sure what to do with my latest work, it seems like it would work well to be turned into a cushion cover, or I could stick in a frame. Not decided yet, but I am sure I will share it all with you when I do.

Now for the next project… this latest embroidery has given me the bug for making my own designs. Rather than cheekily copying designs from other people’s work I defiantly want to start drawing again and see if I can come up with some new patterns and designs to share with the world.

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Craft in progress

21 Jul

What have I been up to? Other than trying to attend closed down festivals and flirting with the idea of setting up another craft blog? Stitching.

A little while ago I put the colour palette together for a new cross stitch project, learning how to make a composition and new pattern from an existing image. I have been working on this new hand embroidery for just over 3 weeks now, slow to start but is coming along really fast now I’m in the stitching flow!  I’ve been posting some pictures online of my stitch in progress, but here’s a compendium of the images that I’ve previously posted to Instagram. This graffiti character caught my eye on the shutters around East London…. can you tell what it is yet?

The Death of the British Festival

10 Jul Death Horse - London Pleasure Gardens

Bloc Festival - Horseman

Last weekend I had my heart broken.

It wasn’t a boy that I loved that hurt me. Or a friend that told me my outfit was shit. It was a brand that broke my trust. A brand, that brings people together from around the world, to make them happy through the form of music. After several years of courtship and then a blissful elopement to Butlins last year, I thought were going to be lovers forever. Everyone I met during our relationship was united in our love. You might think I am just talking about Bloc, an electronic dance music festival that ended in calamity (but not disaster) when it was shut down due to overcrowding at 12.30am on Friday 6th July. But when I was walking around the Pleasure Gardens site, soaking up the hurt and bitter disappointment felt by many of my fellow revellers at the never-ending queues, the night for me didn’t signify the end of Bloc, as whatever happens, the company will get renamed and restart, ticket refunds or not. But really, for me, signified the end of the British festival.

Festivals used to be big business, but last year it’s estimated 30 festivals went bankrupt. Let’s take a look at the festival season this year; The Big Chill was cancelled in January, Truck Festival has gone bankrupt while Isle of Wight was a complete muddy washout. Just today The Hit Factory concert in Hyde Park festival was cancelled to the ruination of the Hyde Park site due to this weekend’s Wireless festival. The market is already over saturated, the founding father of festivals, Micheal Eavis, said last year that festivals only really have another 3/4 years. You can blame the recession, you can blame the weather, but with high ticket prices, rising travel costs, we need to prioritise what we want out of our summer. And lets be honest, this year, it’s been an absolute washout.

But that’s the big picture. I think communication and online PR has a big part to play in all the continuing death of the British festival. Fair play to The Big Chill, who said early in the year that; “Sadly, the artist availability and confirmations we were achieving led me to conclude that I couldn’t risk going ahead with the event this year.” Biting the bullet early meant the brand lost no respect. People will probably come back next year. But other festivals have not done the same. The Isle of Wight Festival did a poor job communicating how the weather issues were affecting the site, leaving many travelers stranded along the way to the site, sleeping in their cars. Bloc also chose to ignore while thousands of people were lining the streets trying to get into the East London Docklands venue, instead tweeting that everyone inside was having a good time. We weren’t. Bloc was even more silent after the eviction, which was announced by the Pleasure Gardens online, but then Bloc took over 36 hours to apologize via a second statement, and is now collecting information from revelers to ascertain what happened. Bloc defiantly made the right decision in closing the festival early, but unfortunately their online behavior only served to knife Bloc’s own jugular from very respected promoter, to a perceived greedy money sucker that needed a bigger boat.

But there were positives gained from this PR disaster, where the Bloc community used social media in a positive way. Many of the artists that meant to play at Bloc got together to play at venue all over London, many free to wristband holders. Where social communication works it is collaborative, grassroots and for the people. Other festivals taking place during the rest of the year should take note to communicate misfortunes to revelers early, with empathy, understanding, and respect.

Maybe I’m getting old. But I have been to far too many festivals over the last two years where I felt my money was taken from me not for my pleasure, but for corporate greed. And as my disposable income becomes less and less, like many others I think I might choose to spend my precious time and money abroad seeing the world rather than be stuck fenced into a site with tents far too close together, music bleeding into each other, and overpriced donkey meat disguised as beef burgers. For now, I’m all about the gigs, and the sun loungers. Oh, and taking Kodak moments of short-lived festival happiness.

Bloc Festival 2012 @ London Pleasure Gardens

20th Century Music Tube Map

30 Nov

This is the second of hopefully many posts exposing my domestic picture lusting. But in this post, the poster that was picked, purchased and pinned to the wall wasn’t my choice, but my boyfriend’s. Thankfully, his taste is as exceptional as mine ;)

Click for the larger image

The poster in question is a re-fashioning of the London tube map featuring musicians from the 20th Century. Using Harry Beck‘s original anti-geographical design and a dollop of inspiration from Simon Patterson’s 1992 creation The Great Bear, music writer for The Guardian, Dorian Lynskey, came up with this ‘experiment to see if one intricate network can be overlaid on a completely different one’ back in 2006. He started with a box of coloured crayons and found that each line lended to a a particular genre; pop ran through many styles so had to be circle, while Classical occupying it’s own musical sphere lended well to the DLR. The most eclectic artists occupied the major stations as objectively as possible, with some interesting explanations. As Lynskey wrote on the Guardian Culture Vulture Blog:

“I also followed chronology wherever the path of the line allowed it. Each branch line represents a sub-genre: rock sprouts off into grunge and psychedelia when it reaches South-West London; hip-hop diverges, north of Camden, into old school and New York rap. If I was really lucky, the band name echoed the original station name: Highbury & Islington became Sly & the Family Stone.”

I’m personally quite chuffed that our nearest stops are Tricky and Prodigy, but Bjork being placed at Baker Street is also pretty clever. Ross’ favourite station? Fourtet (Canada Water) intersecting with Avant-Garde and British Folk. I also love that reggae (central) line running through the heart of London. If you also fancy buying the poster to hang on your walls you can here.

David Batchelor – Neon Scupture at the the Saatchi Gallery

2 Sep

It’s taken me a few days to find the time to write-up my latest expedition to the Saatchi Gallery in London, to check out some new contemporary art over the August bank holiday weekend. There were quite a few eye-catching works in the latest exhibition, The Shape of Things To Come: New Sculpture, but my personal favourite was the neon fluorescent light boxes of David Batchelor exploring Chromophobia.

As I have mentioned before, I have a growing obsession with Neon. It’s bright sordidness draws you in and makes you feel good, which is why its used so much in casinos, funfairs and other night-time pursuits. Neon obsessive Tracey Emin mentions in this Guardian article, it is is a difficult and dying craft, with all the glass hand blown. I also love found objects and the stories attached to them. Or can be attached to them. Particularly if the object is tiny and would fit in my printers drawer. I am a Magpie.

David Batchelor - Brick Lane Remixed I

The work of David Batchelor combines both of my loves. As you go up to the top floor and peer round the corner to spy on the 2003 work Brick Lane Remix 1, the bright flourescent rectangles draw you in. The light boxes are made from found materials from domestic or family settings. They echo an eerie familiarity, and keep you as transfixed as the wires entangle the the boxes. In the same room is Parapillar 7, a column made from feather dusters, fly swatters, toilet brushes and other plastic found objects Similar pillars to these have been exhibited in the Tate and at the Edinburgh Festival, sticking to the same tonal range they transform tat into vivid vision of colour. This meditation of colour is what Bachelor explores in his book chromophobia, challenging our social constructs of what colour should be. You can watch Batchelor talking about his work in a lecture at the Tate online.

David Batchelor - Parapillar 7

So kids, if you want to make me happy, find me something Neon. The exhibition runs until the 16th of October, and is free.

Haiku me up

15 Jul

Haiku is so hard to do.

I would try my own,

But I have only just got the hang of writing my thoughts in 140 characters.

If I was clever I would try to follow the Haiku rule and write this post completely a 7 5 7 syllable format, but trying to write poetry stifles my creativity. But not for the DBC collective. Poet Danny Wadeson has written a stack of poems inspired by nature and the world around him, and collaborated with illustrators Bonnie Friend, Emma Charleston and Christine Cant who also curated the show. Last night was the opening night, in a very packed downstairs of the Maison Bertaux tea room on Greek Street, London, UK.

Haiku exhibition

Most of the poems selected reflect the traditional type of Japanese poetry; a juxtaposition of two subjects, often selected from nature or the physical world around us.

Danny Haiku

His poems are juxtaposed well with the illustrations. The artists are have very different styles, Friend’s drawings are very traditionally faithful to the animal subject. Cant’s drawings are as metaphorical and transformative similar to the more inward and thoughtful poems, while Charleston’s work is a mixed bag of repeat patterns and linear drawings, that play with the poem’s theme as much as Danny plays with the structure of the Haiku.

Bonnie Friend's work

Christine Cant's work

Emma Charleston's Work

The exhibition is only open for one week, but is free and most defiantly work a visit. If the work doesn’t tempt you, then the perhaps the lovely cakes sold in the tea shop upstairs will. :)

Heart biscuit

Printout – Their favourite Magazines

7 Jul

Last night was the second London Printout held at The Book Club, hosted by the Stack magazine subscription founder Steve Watson, and Jeremy Leslie, Blogger at magCulture. I attended the previous magazine event back in April, loved it, blogged about my new discovery Delayed Gratification, and came back hungry for more new mag discoveries.

The event features a panel of speakers from the independent mag world including publishers, editors, writers. At the last event the panel had a group Q&A, but this time had 5 minutes to each answer the question: “What is your favourite magazine?”

It’s a difficult question for any mag lover to answer, as Jeremy Leslie pondered when he went first on the podium; “How do you choose one mag you think is inspirational and represents what you think is great about magazines?” His answer was mono.kultur, a Quarterly A5 magazine produced in Berlin, which to him was exemplar of it’s kind. Each issue focused on an artist, past issues have featured Tilda Swinton, David Shrigley, Nine Inch Nails, Ai Weiwei and David LaChapelle. But was makes the magazine really special is that the A5 format changes to suit the artist featured; from portrait to landscape booklets, foldout posters, and with some ‘experimental scents’.

Mono kultur - Tilda Swinton

David Hepworth, owner of Development Hell which publishes magazines like Mix-Mag and The Word, started his magazine homage with a story about the Burmese Python crisis in the Florida Everglades. No, I didn’t get it either, until he revealed it was one of the many stories featured in The New Yorker magazine. It is a weekly features magazine that strives to tell the interesting stories from around the world that other mediums wouldn’t tell, but has a loyal readership due to the strong pull back to the magazine. It has featured words by feminist Ariel Levy, and Malcom Gladwell incorrectly predicting last year that the revolution will not be tweeted.

The New Yorker

Next up was Marissa Brickman, editor of the NY/Lon based but also multi-continental Sup, one of my favourite music magazines. She answered the brief by picking a magazine that was the most influential in her life, which was Ray Gun, which produced it’s last issue in 2000. It was an experimental American Rock & Roll magazine based in Santa Monica, completely different to the popular Rolling Stone magazine. She spoke of the Art director David Carson who ‘pushed the design to the next level’, producing a magazine was may not have been the most user friendly, but was very influential for her own magazine.

Ray Gun Magazine

Danny Miller from The Church of London was a late addition to the line-up, due to Tony Brook from Spin design studio unable to make the event. Danny’s mag was a touchingly personal choice, and was introduced to him by a tutor while he was studying in Manchester. Adrenalin magazine was a surf/skate/snow magazine with a strong readership that weren’t necessarily Surfers/Skaters/snowboarders, they just loved the instinctive quality and bold choices. It was a magazine produced with love and readers were instantly smitten, including Danny, who badgered the team to gain work experience with them, and his route into the magazine world. The Church of London now produce the popular film magazine Little White Lies, and the newer Huck.

Adrenalin Magazine

Last up was the Mark Valley, the owner of the Magma chain of bookstores and editor of Elephant magazine. He had deliberated over choosing the New Yorker, but wanted to pick a magazine that was eloquent in the magazine language that can be difficult to speak; a hybrid of words, pictures and captions that instinctively tells the reader where to go. His choice was Purple, a fashion magazine launched in 1992 about life with the thickness of a bible. He admitted that when he first read it he didn’t get the context of the mag, but found that he couldn’t put it away and it eventually got under his skin. He thinks it’s a mag was probably gorged and influence lots of other magazine founders, as he can see it’s style in other magazines like Fantastic Man.

Purple Magazine

Love how all the speakers instinctively each picked an independent Arts, Literary, Music, Sports and Fashion mag. Some old, some new, some closed down, but all will be looked into. Thanks again to Steve and Jeremy for a great night, keep up the great work.

And if you haven’t been to Printout yet, Go.  You might get a free mag for your troubles, and countless others to look through.

Newspeak: British Art Now at the Saatchi Gallery

29 Nov

Thanks to Timeout, I attended a private view of Newspeak: British Art Now, at the Saatchi Gallery last Friday. Armed with a friend – who was understandably more interested in the free Champagne than the art – we descended upon the Kensington gallery to see the second part of Charles Saatchi‘s latest investments. Overall it was a typical mix of bold but baffling statement works and tiny delicate trinkets that are easily overlooked. Here are a few of the pieces that caught my eye.

Clarisse D’arcimoles

Clarisse d'Arcimoles - Petit Roi (My Brother)

Clarisse d'Arcimoles - Petit Roi (My Brother)

A popular exhibit with the crowds, the French artist Clarisse d’Arcimoles takes old family photographs and reconstructs them down to the finest detail; sometimes with performative hilarity, sometimes showing the awkwardness of youth, but mostly showing a tender family love between the photographer and the sitter. The work is similar to the very popular awkward family photos, but almost identical to a blog I’ve seen a while ago where people reconstruct their own family photos (can anyone link me up?).

Tessa Farmer

Tessa Farmer - Swarm

Tessa Farmer - Swarm

According the Tessa Farmer‘s biography, this work gives a glimpse into the world of fairies, but these sculptures are less Cottingley Fairies and more Brothers Grimm. These fantastically executed tiny sculptures are made from real insect remains, plant roots and other organic material, and stand less than 1 cm tall as these fields take on the common garden pest. Spectacular craftsmanship.

Maurizio Anzeri

Maurizio Anzeri  - Giovanni

Maurizio Anzeri - Giovanni

Men and embroidery generally don’t mix. Neither does photography and embroidery. But for Maurizio Anzeri, the results are perfect, transforming old anonymous photographs into something more mysterious or sinister. Behind the decorative mask, these forgotten faces come to life. With Anzeri’s  work featured on the cover of  The Drawbridge‘s autumn issue about Ghosts, his creations are becoming very popular and he will be defiantly one to watch in the future.

Welcome to Norfff Laaaandon….

11 Aug

Been a little while since my last post. I have been a busy Beeb lady, making films, updating websites and being a general media lush. It’s been brilliant. We are launching the Doctor Who competition next week so I will post up the videos that I have worked on over the last few weeks.

I have two weeks and two days on my placement and I still don’t know what I am going to be doing at the end of it. I have applied for jobs in both London and Brighton, and I have a few interviews. I am hopeful I will find something at the the end of my placement, but the uncertainty is making me nervous!

However, I have had to make the decision if I should stay in London or move back to Brighton. I do miss the relaxed Brighton lifestyle terribly, where I would have more time to write and enjoy beach life. But I have decided to give London a go, even if it is just for the next few months. I am going to take my friend’s room in Finsbury Park as she is moving to somewhere bigger nearby, while I hopefully get settled into London life.

I’m excited if a little uneasy about what the future will hold. Lets see what life has in store for me next. :)

Shooting pictures – material cultures in a material existence

24 Jul

This week has been a strange week. Work wise, I have accomplished so much and am enjoying my placement immensely – I went on location for a film shoot for the first time which was pretty exciting!

Emotionally though, I think London is getting me down. I’m finding the people here hard work, particularly when I feel like the only one smiling. Everyone is one mission to get to where they want to be, either on the tube or on the career ladder. I miss the sense of community and randomness that Brighton had. Upon reflection I realise my squirmy London emotions stem from the combination of working/trying to get into the cut-throat media industry, impending graduation and a full moon.

While I’m convinced my outlook will change next week, I wanted to write a post that hinted at the complexities that I am currently facing. On a magazine hunt this afternoon I wandered over to the Tate Modern, where I decided that for once, I wasn’t going to rant like a pubescent panda-eyed girl struck down with ladytrouble. Instead, I was going to wander around the gallery and pick a work that summed up this week’s feelings, without pretentiously ranting about myself.

The work I chose was ‘Shooting picture’ by Niki de Saint Phalle.

image

At the first glance it looks like paint thrown at papier mache – a predictable and uninspiring combiation. But on a closer inspection of the gritty yet pourus bedrock, you realise that the paint is dribbling from the crevices from within the frame, like multicoloured blood dribbling out of an open wound.

The artist’s technique? She enclosed paint parcels inside these papier-mache domes – but the paintings soul could only be released when someone shot at it – hence the title Shooting picture. Shooting something – be it a photograph, a film, or with a gun – is seen as a masculine job. It is aggressive and violent, but immensely satisfying when executed correctly. This particular work was shot by artists Robert Raushenberg and Jasper Johns, so the added element of the celebrity that gracing it’s presence will undoubtedly make the work more popular. Saint Phalle made many of these pictures but stopped making them after a few years, saying: “I had become addicted to shooting, like one becomes addicted to a drug.”

The more I think about this painting the more I find it as a resolution to the comatose state I’m trying to resist. It’s playful, methodical in is construction and harmless at first, yet the deeper you delve into it the more you realise the horror and brutality behind it’s beauty. Yet once you look at it, you will find yourself impossible to turn away.

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