Tag Archives: arts

Pick Me Up Graphic Design Fair 2012

25 Mar

Saturday was a fabulous day spent at Pick Me Up, a Graphic Design and Illustration Fair, at Somerset House. It’s the third year of the fair, but my first to attend, and is running until April 1st. It was a brilliant visit, most art fairs can be stuffy and a chore to walk around, with one suffering from visual indigestion after countless artworks. But Pick Me up is centered around being accessible to everyone, from art collectors to lovers, with a hands on/make your own element being key to the fun. The fair is a mix of picks from the print and illustration scene, and a variety of studios and print houses exhibiting, including Nobrow, Nelly Duff, YCA and Print Club London. There were so many visual gems at the fair, but here are some of the works that caught my eye. (And apologies for the awful phone photography – check the artist websites!)

Zim & Zou

Zim & Zou

It has been impossible not to notice these bright paper camera doing the rounds on the blogsphere recently. Based in France, the Zim and Zou studio make paper sculptures and photograph the objects in made enviroments. Exhibiting works from their Back to Basics and Cabinet des Curiousities projects, the detail and precision that goes into these works is a brightly coloured triumph.

Zim & Zou 2

Owen Gildersleeve

Another paper artist that caught my eye is the below work by Owen Gildersleeve – Pixel Piracy – which is a follow on work from an illustration in Wired. Anything with pixels, bright colours, and skulls and I am sold. I can’t imagine the patience that went into putting together all of these individual slices of paper to make the finished image.

Owen Gildersleeve - Pixel Piracy

Mimi Leung

Mimi Leung studied at Central St Martins but is now based in Melbourne, her zany and colorful illustrations take surreal anatomy past a gross-cute level. In the past she has worked for clients such as Nike, AOL and The Guardian, and won the Central Australia Art Society Excellence Award in 2011.  The expressions are worth viewing alone, as is her brilliant blog.

Mimi Leung

Mimi Leung

 Tim McDonagh

I was instantly drawn to the dreamy linear work of this Brighton based artist Tim McDonagh. Working in brush and ink with a hint of digital, animals and lost objects are intertwined and maze of memory and unease, with only the slightest hint of colour. The largest work on display – Petrichor – was by far the most interesting, and is available as a free desktop background on his blog.

Tim McDonagh

Sarah King

For those that like their type, look no further than Sarah King. This wordy jungle scene is both sophisticated and smart, and deserves a closer look.

Sarah King

Ciara Phelan

There was a bit of collage knocking around, but the best that caught my eye was from the craft desk of Ciara Phelan. Collecting and hand cutting images from old vintage-like images, they are applied into a montage of amazingness. Her work is a part of the Many Hands show, an artist collective she co-created, which contained lots of other exciting works that I will be investigating another time.

Clara Phelan

Clara Phelan

And the final spot, was actually in the entrance hall, a cute little artwork by Street artist Pablo Delgado, who I’d recently read about in VNA magazine. Usually spotted crawling the pavements of the East End, Blink, and you’ll walk past it.

Pablo Delgado

I also bought my first proper piece of art at the fair. By which artist? That will have to be a blog for another time…

5 things you may not know about Eadweard Muybridge

13 Jan
Galloping Horse - 1878

Galloping Horse - 1878

Eadweard Muybridge (1830-1904) revolutionised photography. He is best known for his seminal work Animal Locomotion where he documented both humans and animals in motion. This body of work, initially began with a wager from one of Muybridges patrons in 1877 that a Horse does not at any one time have his feet off the ground while galloping. While this work is his most famous and has influenced photography, cinema and science for more than a century, the current Tate Britain retrospective (the first of this kind in the UK ans finishing on 16th January) has highlighted some other interesting facts about Eadweard Muybridge that you may not already know.

1  He changed his name more than his facial hair.

Eadweard Muybridge

Eadweard Muybridge

People commonly mistake his name to be Edward Mybridge, but his name was just as much changed and mistaken during his own lifetime. He was born Edward James Muggeridge, has been listed as Muggeridge and Muygridge after moving to America, revised it to Edwardo Santiago Maybridge while in central America, changed his first name to Eduardo after a Saxon King, and was conferred as Professor Muybridge. The last form on his gravestone is Eadweard Muybridge. He also published some of his work under the name Helios. One thing that never changed though, was his beard. Apart from when he went grey.

2  He was acquitted for the Murder of his wife’s lover.

Flora Muybridge

Flora Muybridge

In 1891, Muybridge married 19 year-old divorce Flora Stone, who was over 20 years his junior. Three years later she bore a child, Floredo Helious Muybridge. At first the child’s paternity was never in question, but as Muybridge spent many long periods away from home he eventually became suspicious that he may not be the child’s father. When his suspicions were confirmed, he then went and shot Harry Larkyns, Flora’s lover.

As Muybridge was a minor celebrity in San Francisco at the time, the murder and trial caused a scandal. However, Muybridge  was acquitted for the crime on the grounds of justifiable homicide for what he had discovered. Flora asked for a divorce but she mysteriously died of Typhoid soon after the trial, and Floredo was sent to an orphanage.

The story is very Sunset Beach, and was fictionalised in an opera by Phillip Glass in 1982 entitled The Photographer.

3  He created two panoramas of San Francisco, one seventeen foot long.

San Francisco Panorama

Section of 1878 San Francisco Panorama

Muybridge created two Panaromas of San Francisco, the city he was largely based in during his time in America. A fire destroyed the glass plate negatives of the first panorama created in 1877, so Muybridge set about creating another Panorama a year later. It is estimated that it took 15-25 minutes to to expose each of the 13 glass plates.

4  Francis Bacon owned four copies of Humans in Motion.

Francis Bacon - Triptych 1974-1977

Francis Bacon - Triptych 1974-1977

Many of Muybridges stills served as inspirations for Francis Bacon’s own work, who always drew from photographs. Muybridges studies of motion drew countless inspiration for other Artists including Edgar Degas and Marcel Duchamp.

5  Muybridge also documented a Baboon in motion.

I had to finish with a red arse.

New pebble, new problems?

30 Nov

Again this morning I awoke to feeling of overwhelming dread and suspense that would only be eradicated once I got my grubby little mits on the Nov issue of the Pebble. I am always excited to see what the paper will look like, expecting that it will be better than before and hoping that everyone else likes it as much as I do. Not that I get to hear the comments!

First impressions… good. Bulkier, but the content is much better than before. Meatier might be the word of choice, more for all kinds of students to sink their teeth into. The fact we have a response to a previous article shows the readership is growing. I am also much happier with my pages, but most of that falls to the writers for providing such good articles (particulary the article about HR Giger lol). So glad the photography came out well, I think having at least 2 images per article really helps the pages look good and read well. However, on closer inspection the layout has again opened a few problems, omissions (including an ad I placed for help with my dissertation) and wide open spaces in some cases. It appears this was felt by the whole team, so design needs to be investigated for future issues. But overall I am definatly proud of the whole thing, we have all put in a lot of hard work and should be proud of ourselves.

But on a much sadder note… Joel is leaving the SU for another job! This means the whole project now rests on the editing teams shoulders. Martin has offered to be the coordinator for the whole project, which means most of the communication between the outside world, the SU and the team will be via him (otherwise things could get messy). He is also pushing forward taking the Pebble live online, which will be fantastic. Otherwise, it means more pressure and responsibilities for us. I hope the whole thing doesn’t go downhill after Joel’s departure. But I am sure Martin can keep in sense of humor, sometimes I wonder if I take the whole thing a little too seriously…

Anyway… best of luck Joel, I am sure we will survive without you!

Once a copy is available online, I will post up for your viewing pleasure. Otherwise… its in the post yeah?

The Pebble

9 Nov

Considering the Pebble is taken up quite alot of my time and is a pretty big achievement, I am surprised I have not written or posted anything about my editorship since I got the role. I was recently elected as a creative co-editor for the Brighton University student paper; The Pebble. I have been writing arts based articles for over  year, but now I get to try my hand to help run the show. It is proving so far a rewarding experience. I am hoping to write less and organize more… which is working out so far.

Trying to figure out how to post my articles/pages up here but I am really lacking technical foresight right now. Will do so eventually.

 

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