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Playgroup Festival eFestivals review 2012

25 Sep

Another brilliant year at Playgroup Festival near Tunbridge Wells. It has it all. The food. The fun times. The friends. Even the weather didn’t bring it down. I did another review for eFestivals (but also check out last year’s review), and took some more Kodak moments, mostly of all the brilliant costumes from the fun lovin’ crowd. Read the eFestival review here and look at most of the picas some of the on the eFestival’s website and well as my personal favourite snaps on my own Flickr.

If you have never been… next year, just go :)

Playgroup Festival 2012 - Pippi Longstocking

Playgroup Festival 2012 - Purple Monsters

Playgroup Festival 2012 - Face painting a tiger

 

Like this? You might also like these similar posts:

Playgroup Festival eFestivals review Playgroup Festival eFestivals review 2011

The Death of the British FestivalThe Death of the British Festival

A mini photo break in HelsinkiA photo mini break in Helsinki

 

Helsinki alternative travel guide for Hound magazine

10 Sep

More wordy goings on from  me. Back in May I went to Helsinki for a sight-seeing weekend away, and I loved the city so much that I wrote an alternative travel feature for Hound magazine. The mag is aimed at discerning young creative types, packed with musical interviews, reviews, fashion spreads, illustrations and features. The mag is free and distributed mostly in Brighton, but you can also read the publication online.

I provided some words and the photography, although there was also a lovely illustration by Ryan Humphrey. Time to pack your bags and go to Finland!

Helsinki Travel feature page 1 - Hound magazine

 

 

Helsinki Travel feature page 2 - Hound magazine

The Death of the British Festival

10 Jul Death Horse - London Pleasure Gardens

Bloc Festival - Horseman

Last weekend I had my heart broken.

It wasn’t a boy that I loved that hurt me. Or a friend that told me my outfit was shit. It was a brand that broke my trust. A brand, that brings people together from around the world, to make them happy through the form of music. After several years of courtship and then a blissful elopement to Butlins last year, I thought were going to be lovers forever. Everyone I met during our relationship was united in our love. You might think I am just talking about Bloc, an electronic dance music festival that ended in calamity (but not disaster) when it was shut down due to overcrowding at 12.30am on Friday 6th July. But when I was walking around the Pleasure Gardens site, soaking up the hurt and bitter disappointment felt by many of my fellow revellers at the never-ending queues, the night for me didn’t signify the end of Bloc, as whatever happens, the company will get renamed and restart, ticket refunds or not. But really, for me, signified the end of the British festival.

Festivals used to be big business, but last year it’s estimated 30 festivals went bankrupt. Let’s take a look at the festival season this year; The Big Chill was cancelled in January, Truck Festival has gone bankrupt while Isle of Wight was a complete muddy washout. Just today The Hit Factory concert in Hyde Park festival was cancelled to the ruination of the Hyde Park site due to this weekend’s Wireless festival. The market is already over saturated, the founding father of festivals, Micheal Eavis, said last year that festivals only really have another 3/4 years. You can blame the recession, you can blame the weather, but with high ticket prices, rising travel costs, we need to prioritise what we want out of our summer. And lets be honest, this year, it’s been an absolute washout.

But that’s the big picture. I think communication and online PR has a big part to play in all the continuing death of the British festival. Fair play to The Big Chill, who said early in the year that; “Sadly, the artist availability and confirmations we were achieving led me to conclude that I couldn’t risk going ahead with the event this year.” Biting the bullet early meant the brand lost no respect. People will probably come back next year. But other festivals have not done the same. The Isle of Wight Festival did a poor job communicating how the weather issues were affecting the site, leaving many travelers stranded along the way to the site, sleeping in their cars. Bloc also chose to ignore while thousands of people were lining the streets trying to get into the East London Docklands venue, instead tweeting that everyone inside was having a good time. We weren’t. Bloc was even more silent after the eviction, which was announced by the Pleasure Gardens online, but then Bloc took over 36 hours to apologize via a second statement, and is now collecting information from revelers to ascertain what happened. Bloc defiantly made the right decision in closing the festival early, but unfortunately their online behavior only served to knife Bloc’s own jugular from very respected promoter, to a perceived greedy money sucker that needed a bigger boat.

But there were positives gained from this PR disaster, where the Bloc community used social media in a positive way. Many of the artists that meant to play at Bloc got together to play at venue all over London, many free to wristband holders. Where social communication works it is collaborative, grassroots and for the people. Other festivals taking place during the rest of the year should take note to communicate misfortunes to revelers early, with empathy, understanding, and respect.

Maybe I’m getting old. But I have been to far too many festivals over the last two years where I felt my money was taken from me not for my pleasure, but for corporate greed. And as my disposable income becomes less and less, like many others I think I might choose to spend my precious time and money abroad seeing the world rather than be stuck fenced into a site with tents far too close together, music bleeding into each other, and overpriced donkey meat disguised as beef burgers. For now, I’m all about the gigs, and the sun loungers. Oh, and taking Kodak moments of short-lived festival happiness.

Bloc Festival 2012 @ London Pleasure Gardens

Henry Jenkins on Spreadable Media

16 May
Jelly Jam on Bread by Roger's Wife

Jelly Jam on Bread by Roger’s Wife via Creative Commons on Flickr

This is not a blog post about Facebook on toast. Thank the lord. But rather a summary of some interesting points raised by Henry Jenkins on the topic of his new book, Spreadable Media. A well-respected professor of Media at the Massachusetts Institute of Technology, his latest research looks into what all internet marketers have striven to find in a magic formula, how and why certain forms of  digital media goes viral on the internet. Less of a masterclass and more of an exploration, here are some of the main interesting points I picked up from his recent talk at the University of Westminster on social media and sharing on the web.

  1. What is Spreadable Media? It’s exactly how it sounds. For Jenkins it’s a study of how media circulates around the web. Some bits of content are ‘sticker’ than others, some get spread far and wide, some stays in one place. One obvious and major example was the  Kony 2012 Youtube video by Invisible Children, with over 1 million views in just 4 days, second only to ripped footage of Susan Boyle, which took 7 days to attain the same number of hits. At time of writing this video was a little shy of 90 million views in a little over two months, the fastest spread video ever online. Why was it shared so much? Because there was a call to action at the end; “Above all, Share this movie online.It’s free.” The act of sharing allows people top put their own personal viewpoint on the content; a personal message in agreement or disagreement, and the contents status changes as it moves through the online space. Sharing is a stepping stone to other politically charged commitments, and socially engaged people are more likely to take part.
  2. Think like a  Dandelion.  Drawing on the ideas of science fiction writer and blogger Cory Doctrow, Jenkins notes if producers want their ideas to fly out into the world, we need to stop thinking like the mammals that we are, who keep their ideas close and are reluctant to share. But if we made our work easily copied and shared, those ideas will spread into the eyes who find it pleasing, and may eventually end up into the right hands where a commercial relationship can begin. Traditional exchange economies are not so valid for artists any more, and must look for other revenue streams.
Mike Arauz - Facebook Friends via lynneluvah creative commons on Flickr

Mike Arauz – Facebook Friends via lynneluvah creative commons on Flickr

  1. Grass-roots communities and Astroturf: Spreadable media to a group is like a grass-roots community, sharing content they are passionate about with each other for a shared experience and want. The first spreadable media form was the ‘zine from the traditional printing press over 150 years ago, sharing homemade fanzines via the post, which is still popular today. Personal opinions on what people think is good and ‘like’ has currency and has gained much ground. Web 2.0 isn’t as participatory as these analogue forms, but rather the friction between producers and users around what is wanted/needed from media that has produced this participatory culture. And what of the new ideas for Facebook users to be paid for sharing content with their friends on the web? Jenkins called this Astroturf, a fake sharing experience which is a sign of a struggle.
  2. Democracy Struggle: For the first time in history, people are able to fully reciprocate and get their voices heard. But it’s a preconception that the new media revolution will create a democracy that we have all been striving for. Instead, as referenced by the ideas of John Fiske, this new freedom is creating new struggles as we try to negotiate and understand this new media landscape. While there are 10 million active  Twitter users in the UK, more than are buying newspapers, there is still a participation gap; some people don’t have access to it, and some are still not using it meaningfully.
  3. A better education: Ending on a point that is often made by academics, Jenkins said that a better education is needed to make people, especially the youth, understand the best ways to make use of these new forms of communication. However, there are many barriers in our way. In thousands of schools and colleges in the UK, many social media sites are blocked to increase ‘productivity and learning’. Children are then forced to learn how to learn to communicate in these online spaces on their own, without any guidance, mentoring, or safe practice guides, which makes them vulnerable. Students need to be encouraged to be participatory online.

Now, when I make some new content, new questions will be in my mind to make me think about how it will be shared around the web. Why would people want to share this? What value can people add when sharing this? Can this idea be developed into something new? All good creative food for thought, which most importantly I’ll have to remember; ‘If it doesn’t spread, it’s dead.’

Thoughts of an Apple Hater

7 Mar 171398958_e03a923309_z

Today Apple are releasing another product, probably an iPad 3. While everyone is making their predictions, I penned this piece about my hatred for anything mac. This post has also appeared on The Huffington Post.

Mac in the Bin - by nathan makan via Flicker

Mac in the Bin - by nathan makan via Flicker

It’s no secret to my friends and family that I loathe Apple and their products. From the evangelical store openings, to the product rumor mill dominating the online space prior to launches, their extremely smart PR campaigns promote Apple as probably the best at what they do. Which is, in my honest opinion, producing shamefulmoney pits. Once you buy an iSomething, you have to buy compatible accessories, you can only buy certified apps, and you better hope water never meets your new baby so you don’t have to kiss goodbye to your warranty. But they do look so good. A lifestyle lubricant for the 21st century, no self facilitating media node would be such a fashionable dickhead without one.

I am fully aware that they are well designed and technically brilliant machines. My boyfriend and I argue about this religiously. ‘Your life would be so much better if you had a Mac!’ he wails. My life would be so much better if people stopped telling me I need a Mac. You want doesn’t equal I need. I now get introduced in social circles as ‘The girl who hates Apple’, which as you can imagine as a lively conversation opener as mentioning the BNP.

“Why do you hate Apple?! What’s wrong with you?” I am met with a look of confusion and terror that I have seen many times before.

“I don’t feel need to prove my importance by walking into Starbucks with an iPad under my arm. There are much less expensive ways to look like an idiot.” This comment is always generally agreed with. One person has once unashamedly confessed to me that he has stuck a Apple logo sticker over the top of a Dell logo to maximise his respect points.

“But you work in online? How can you do your job without working on a Mac?” This generalisation never fails to stagger me.

“I work perfectly fine on a PC thank you.” This statement is always particularly hard to admit, as I do curse repeatedly about working on Windows. But I would rather say this than rant for the next 10 minutes about how fast it is, or shown off my latest Scorsese digital masterpiece on Vimeo, or produced some sound that when processed through some digital synth sounds like an elephant farting, and before you know it I have had my ear bent on how I am totally wrong and they are very right. An unsuspecting loiterer (probably a mac user too, as they always hunt in packs) ask to join the conversation. “Rosie was just trying to convince me how a PC’s are better than Macs.” Errrr, WRONG! I can’t get a word in edge-ways in between your big head and your even bigger Apple shaped ego!

I know crap PC’s can be, and I am not defending them. But when you buy an Apple product, you also buy a special pair of apple-tinted spectacles, that makes you believe that there is no other digital product worth having. I refuse to buy into that cult. They get cracked, they break, and they get bugs and viruses just like any other technological object. It is also bad for people to assume that everyone else as bought into that cult. It’s very painful for digital marketers to admit teenagers phone of choice is the Blackberry for it’s messaging system, not the iPhone. If people are creating content with one demographic in mind, they will run the risk of bypassing certain minorities and alienating in favour of another product that fits their needs better.

So in short, I probably will one day buy a mac book pro. When the market has bottomed out, the price-tag has been slashed in half, and the hipsters have levitated to the next big thing. But until then, show off your Apple love to someone else, cos this Apple-hater don’t wanna know.

10 Blogging Tips from the Professionals that Could Change your Life (it did for them!)

14 Feb

Has blogging changed your life? From blogging online to writing books, starting new careers to making new friends; for four bloggers it has defiantly changed their life for the better. Matt Brown from Londonist, Annie Mole from Going Underground, Sian Meades from Domestic Sluttery & Tom Jones from Tired of London Tired of Life, all came along to the London Bloggers Meetup to share their life changing writing experiences to a packed room of eager bloggers. But what advice on how to blog did they share to those seeking online glory at Social Media Week?

Person working on a Mac computer - L'Ubuesque Boîte à Savon via Flickr

  1. You don’t need to be a (good) writer. Have a special experience. Share it. Even if it is erotic poetry.
  2. If you don’t like what you are writing, or can’t find the words, quit writing the post. Don’t feel like writing? Take a break. As long as necessary.
  3. Blog often. The more you write, the more you share, the more you are engaging with your audience.
  4. The best blogging platform? Most of the blogs above use Blogger, but if they had to do it all again they would use WordPress. Design is important, but so is control.
  5. Work to a formula and stick to it. If its a blog about travel, stick to travel. If you are trying to write a post every day, write a post every day. If you get your blog’s aim nailed and your readers know what it is, they will keep coming back to the blog.
  6. Not sure about starting your own blog? Sign up to write for a larger or group blog, it can give you a chance to hone your skills. Meet other bloggers and socialize as much as possible. Swap tips, tricks, and twitter names.
  7. Get to point quickly; do not write endlessly to fill space, people will switch off and log out. Learn how to edit your own work, Twitter is great for honing this skill.
  8. Promote through Twitter and Facebook. Interact with your audience to find new content to write about.
  9. Content is image led, always try to find good quality images through sources like creative commons and ALWAYS credit. Or use your own!
  10. Never be afraid to flog your own book. even through the affiliate links. Or at blogging meet ups!

Image by L’Ubuesque Boîte à Savon via Creative Commons on Flickr

Drive – DVD Review

9 Feb

This is another film review for the fabulous indie music website the The405, but this time a DVD review of the cinematic masterpiece that is Drive. However, I am still waiting for the review to go live, so I thought I would post this here while I am waiting for the link… (So Danny if you are reading this, hint hint hint!!)

Drive film DVD poster

There is a lot of hype about Drive. A lot of hype. This film has spawned a Ryan Gosling tumblr memeolution, from feminists to cute puppies. Is all of the hype for one of 2011’s highly rated movie completely deserved? Fuck yeah!

Drive a film of two halves, of slow understated beauty, dramatically colliding into a tense and graphic bloodbath. The main character, known only as ‘The Driver’ (Ryan Gosling) has two sides, a Hollywood stunt double by day, a getaway driver by night. The film opens with Driver helping two men evade a heist with superb skill and precision undetected, living by certain rules: he works anonymously, he never works with the same people twice, and he only gives his accomplices five minutes to carry out their work. But this modern day James Dean also has a sensitive side; he meets and is drawn to the innocence of neighbour and married mother Irene (Carey Mulligan). After lots of smouldering looks and night time drives full of longing, Irene’s husband Standard (Oscar Isaac) is released from prison, owing protection money to another gangster. Compelled but not forced to be a hero and protector, Driver is aides another heist that doesn’t work out as planned. Suddenly the Driver is forced into a violent battle to discover who crossed him

By most modern day standards, the plot is simplistic. The dialogue is minimal. But all this works in the films favour, as there are so many stylistic influences at work, seamlessly weaving throughout the film to make it a real nail-biting cinematic splendor. The credits roll and you get the same excited chills when you first saw the GTA: Vice City florescent brush script. The camerawork keeps a video game feel through first person views during the driving and stunts, all of which are simply and perfectly done. The soundtrack is stunner on its own; the 80’s infused electric synth pop includes tracks by Kavinsky, College and Desire, with extra dramatic tension conceived through slow, mutating drum loops. The entire film is a perfect marriage of style and substance, infused by the electric chemistry of the fantastic ensemble cast – including Bryan Cranston, Christina Hendricks and Albert Brooks. This is why people have been talking about this for months. Rightly so.

The DVD features include trailers, a stills and art gallery, and 30 minute interview and Q&A with Dutch Director Nicolas Winding Refn, known to some for the also memorably violent film ‘Bronson’ divulges on the decisions behind creating the outstanding soundtrack, why he cast Christina Hendricks over a porn star (I have no idea…) and why production was scaled down from $60 to $15 million dollars. It was the best decision, as any more Hollywood and Drive would be far from the masterpiece that it is.

10/10

Women need more self-confidence to emerge as web heroines in Design and Technology

23 Jan

This post also appeared on The Huffington Post.

It’s a well-known fact that there are not enough women working in the Technology and Design industries today. Women only make up 12% of the workforce, and only 5% of board members at FTSE listed companies are women. However, withs girls outperforming boys in education, with 72% gaining A-C’s against 55% of boys in Sciences and Arts subjects. We have the talent, but it’s not coming through to the industry. With 95% of women seeing the industry as nerdy, more is needed to inspire women to work in this rapidly expanding industry.Web Heroines, founded by successful web designer Keri Lambden in 2011, was set up to celebrate women working in the Tech and Design industries, bringing women together and inspiring others to work in the growing tech industry. Rather than criticise and point fingers at the restrictions, the group’s aim is to showcase and celebrate achievements, sharing opinions, and then investigate potential solutions to the girl gap.

Emerge was a mini conference set up to start that very conversation. The three day event ran during the 16-18th January, starting with webinars by speakers from all over the world sharing their knowledge on a variety of subjects from SASS to juggling a freelancing and a day job, accumulating with a panel discussion in the British Library with four inspiring women all working in the industry. Julie Howell, confidently claimed that she ‘invented social media’ back in 1995 by setting up one of the world’s first online communities; Jooly’s Joint, and has won 5 awards for her influence on accessible design. Sarah McVittie co-founded Texperts, the world’s first text message questioning service, which was sold to KGB in 2008 in a multi-Million pound deal. She has since founded Dressipi, a ‘contextually aware fashion recommendation system’. Sarah Parmenter started her business at 19, and is a completely self-taught UI designer and coder. An early adopter of designing for the iPhone/iPad, she regularly speaks at conferences both in the UK and abroad and recently won .net designer of the year award 2011. Jess Ratcliffe came up with the idea for her video game swapping website, gaboom, when she was just 15. She has recently appeared on Dragon’s Den,and has recently re-launched the website.

The first question posed is was one on all of our lips; why are there so few women working in Tech and Design? Confidence is felt to be the main issue. Julie Howell said there is the talent but people are just not coming forward. Women need to adopt more of an ‘headphones off’ method of working, by talking and sharing ideas with other people and not hiding away. Sarah McVittie agreed and said there are not enough women role models in the industry, more needs to be done to inspire other young women, and as an entrepreneur you have a responsibility to educate others. The panel agreed that there is less of a gender difference in the workplace these days, and women should embrace that they are better at different things, such as nurturing and being empathetic, all qualities of fantastic leaders. As more gender specific products are being built with women in mind, this will hopefully encourage more women into the industry. Sarah Parmenter even said that sometimes being a woman has played to her advantage when winning contracts, such as her work for Breast Cancer UK, and women should not be afraid of playing this to their advantage.
The topic of self confidence kept popping up through the hour long talk, with the panel agreeing that having bags of it and the passion for your idea can be a real driver for your work, but lacking self esteem and even listening to social media backlash can put some on the backfoot. The real issue isn’t that women are lacking talent, but they lack the self-confidence to continue with their ideas. The best thing to do to combat this is to put yourself out there, be it through teaching, mentoring or even taking part in conferences, which will not only boost your own confidence, but will also help inspire others. Emerge was a successful event, and hopefully this is the start of many more conversations to get more women into the tech sphere.

5 things to think about when planning a travel holiday to India (or any budget backpacking travel)

22 Jan Boys on the Beach at Sunset in India
Boys on the Beach at Sunset in India
I got back a week ago from an amazing 3 week holiday in India. A group of friends spent two weeks travelling around Goa during the Christmas/New Year period and then caught a train down to Kerala, where we did a lot of beach hopping, a lot of eating, saw some baby elephants, and a lot of bugs! India was intense, immense, and extraordinary, yet we only saw such a small part of the country. Nothing can really prepare you for what you will experience on your journey, but here are a few things I learnt from my trip that I thought it would be worth sharing with those who are thinking of travelling to this amazing country.
  1. Visa – It took us three attempts to get our tourist visa, but only though our stupidity because we didn’t read the website properly. The whole process takes about a week: you have to fill in an online application prior to heading to the office to formally apply in person and hand in your passport. You don’t need to book an appointment, but the earlier you can get to the office the quicker the process will take, we arrived when the office opened at 8.30, and were out in an hour. About three days later you should return to pick up your passports and visas. If you want to do the process by post it will take a lot longer. And a word of cation, if you work in media (e.g: journalist, photographer) hesitate before listing it as your profession, if you do you may need to get a different and more complicated media visa.
  2. Accommodation – Depending on the kind of holiday you looking for will depend on how you will look for your accommodation. Budget accommodation is plentiful so look for it on arrival in a new town, you can barter for a good deal. 3 star accommodation (with air con) is less plentiful, and you should try to ring a few days ahead wherever possible. Always check the rooms, particularly shower and the mattress for thickness and cleanliness. For the first night, it is worth booking some comfortable accommodation in advance so help you acclimatise to the country, expedia was pretty good.. It is worth spending that bit extra when you can, the same goes for travelling around too.
  3. From Delhi belly to Diarrhea, sooner or you are going to get sick. Deal with it. I was sick for an entire week and I was determined not to let it spoil my holiday! If you get ill, try and take it easy the following day, eat plain bread and rice and avoid spicy, fried and acidic food. First Aid kit essentials include re-hydration sachets (which are also great for hangovers) pepto-bismol to re-line your stomach, and pro-biotic tablets to help get your digestion get back to normal, all of which are also available over the counter in India at a much cheaper price.
  4. Should you buy Malaria tablets? We did, we were offered the most expensive prescription with supposedly the least side effects, and were flabergasted upon discovering that a 30-day course of Malerone set us back 90 per person!. However, the side effects were still very severe, and mid way through the holiday we decided to stop taking them as we thought the continuous nausea and psychotic dreams couldn’t be worse than actually catching Malaria. It was a tough call, because I got bitten continuously (mosquitoes apparently love certain blood types), but the area we were travelling in was a low risk area. My advice? Do your research before you travel, but ultimately it’s your call.
  5. I had my first experience of bartering for goods, and you do it pretty much everywhere and for everything, excluding fuel and food. For souvenirs, some say the inital price offered is double or three times what you should pay, while some shops have low prices to discourage bartering, but ultimately it’s down to how much you think something is worth. Start low and you will meet somewhere in the middle, but never let a price pass your lips that you are not prepared to pay. Having the exact money in your hand can work well for closing the deal, as does suggesting an offer for multiple items, but don’t be afraid of walking away from the deal if the price is not satisfactory for you. It’s all a bit of fun, but don’t begrudge someone a few rupees if they deserve them.


Here’s some of my Kodak moments on Flickr, but the opportunity also arose for my to make my first animated gif… Ross rising from the sand after being buried – like the incredible Hulk!

Rosie’s Tunes of 2011

14 Jan 6695738001_ba0f4085b3_z

Multi-coloured hearts - Rosiemrogers on Flickr

I know, I know. Every blogging Tom Dick and Harry posts their ‘top tunes/gadgets/films/bullshit of year’ during December, so everyone is vomiting never-ending lists through their eyeballs by Christmas. Well I missed that window, and I have been posting my fave tunes of the year for the last two years (see 2009 and 2010), so I am going to post my 2011 list up anyway. Ner ner, ner ner ner.

My list, as always is in order of discovery and personal poignancy. There are some tunes in the list that weren’t created in 2011, but I discovered and fell in love with them that year and thus made my list. The links below go to act’s soundcloud page or a youtube link, and I have made a Spotify playlist which you should defiantly subscribe too.

(Baby I Don’t Know) What You Want – Jacques Greene

This Much – XXXY

Nights Off – Siriusmo

Holkham Drones – Luke Abbott

Sweetest Kill – Broken Social Scene

Maze – Actress

Natalia’s Song – Zomby

Love/Lust – D/R/U/G/S

Just Gazin’ – Digitalism

Tetra – SebastiAn

Hold On – Sbtrkt

The Carter Barron – Oddisee

Little By Little (Caribou Remix) – Radiohead

Too Insistant (Trentemoller Remix) – The Do

Still Life – The Horrors

I’ve held off from putting on some extra additions; I’ve been a long time fan of Metronomy and this year’s album was outstanding. This year also discovered the genius that is James Holden and all the gems on the Border Community label and M83 put on a fantastic show at the Heaven in December, but that is my top list and I’m sticking to it. Top Tune of them all? By far Nights Off by Siriusmo. Not only have I listened to it at least 50 times in the last year, but I can still remember their set at the Black Atlantic/Modeselektor show back last March as one of the sweatiest meatboxes I have ever had the pleasure of dancing to.

Enjoy :)

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